I once wrote in a short article that after the road was established, Germany would reposition itself.
For literature, I was amazed at the changes in my judging criteria and aesthetic tastes.
When I read《红楼梦》and《楚辞》and read《老人与海》and《尤利西斯》, what I appreciated was their mood and writing, which was their whimsy and grace.
But I can't understand how they wrote such a work. Now that I am picking up and reading again, I am no longer interested in extracting wonderful sentences and paragraphs.
I am touched by the surface of the text, but the soul of the writer outside the work or hidden behind the text!
Occasionally, I saw a couplet, and the next one was: "Qingtianyihe sees the spirit", I have a long stream of tears, I finally understand that the spirit of the crane comes from the sky!
Looking back, some of the works that have fascinated me are far away from me. Those shallow things, even though they are being swayed by speculators, are stunned by the crowds, but they are no longer tempted and deceived.
The pursuit of holiness, solitude, vitality and freshness has made me more and more lost in the beauty, freshness and form of the past.
I am a Shangzhou native in Shaanxi. Shangzhou is now a northwestern one. In history, it belongs to the Chu world. My talents have rough elements and things in the spiritual source.
I am wary of walking along the path of the spiritual source and gradually getting smaller. I also understand how I develop my rough sky, and the agility in the rough sky is natural.
I am also confident that when I first read《红楼梦》and《聊斋志异》, I immediately felt a corresponding.
I don't lack their writing sentiment and fun, but the barriers in their chests are understood by me in the middle ages of the end of the century.xx
If the previous novel attempts to shape a tree with cement on a tree, then now I must be a tree or a tree.
Its moisture is transmitted through the veins to each leaf of each branch, allowing the tree itself to shape itself. Faced with the people and things to be written, the objects and things are made, so that the essence of all things can be realized.
The painter Jacques Meydi told him a story. When he finally gave up the traditional realist paintings that only focused on the fact that the entity was indeed "having" in 1925, he tried all the methods.
Until that "when I woke up in the morning, there was a chair in the house with a towel, but I was scared of a cold sweat.
Because the chair and the towel completely lost weight, the towel is not pressed against the chair, and the chair is not pressed against the floor, such as looking at the world in the water through transparent water.
His story reminds me once again that Laozi's interpretation of containers and windows exists as objects of purpose, and the essential meaning of existence is manifested by their usefulness.
Their usefulness is determined by their empty space, and there is an image of being nothing, and there is no basis for existence.
However, when writing is handled as an image as a whole, it needs to be done with concrete things, that is, the flow of life.
Life has its own law of self-flow, and it is necessary to go through smoothly or difficult times. This is the life itself, so it is chaotic and fresh.
The more you write, the more you live, the more virtual, the more imagery.
It’s my interest to write virtual and physical without evidence.
Middle and west
The Han nationality in China is a large nation and a suffering nation. Its long-term feudal autocracy has formed the subconscious of the national political complex.
xxLiterature is naturally influenced by it, and there are singular works and revealing works. The singularity has always been scorned by the literati, and the revealing is regarded as a kind of responsibility and profoundness.
As a result, a set of aesthetic standards was formed, so Qu Yuan, Sima Qian, and Du Fu were praised, and they were called mainstream literature.
Accompanied by it, there is another kind of leisure literature that is almost parallel. It is actually a confrontation and supplement to mainstream literature, expounding the sentiments of life and expressing heart.
Such as Su Shi, Tao Qian and even the prose of the Ming and Qing Dynasties, and even Li Bai. They are often referred to as "sin", but they must not be "sacred".
From this we can see that the emphasis on politics lies in the importance of morality, the rule of the country, the dissatisfaction of society and the intervention of the DPRK.
Leisure is to enjoy life, think and think, enlighten the mind. The work is a weapon or jade. The author is a warrior or singer. This is a characteristic of Chinese Han literature.
In foreign countries, the West, of course, also has these two forms of works, but its main feature is the analysis of human nature. Their philosophy determines their thinking and methods of technology, medicine, and diet.
Therefore, for the defects and ugliness in human nature, such as greed, viciousness, jealousy, jealousy, arrogance, wretchedness, despicableness, etc. there are many masterpieces.
The more modern literature, the more it is.
My advantage is to quietly think, I only feel that I have to change the view of literature.
Lu Xun is good, fortunately there is《阿Q正传》, which analyzes the weakness of human nature. The contemporary avant-garde writers are respected, and their efforts have great significance.
《阿Q正传》It is a complete Chinese taste. I studied《阿Q正传》more than 20 years ago, and now I have an understanding.
How stupid I am, if it is in the analysis of human nature that is filled with the sorrowfulness of the unity of nature and humanity in Chinese tradition, it is my new interest.